Atomos Shogun Inferno 7 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor


1920 x 1200 Touchscreen Display
10-Bit FRC Monitor Processing
4K HDMI and 12G-SDI Inputs/Outputs
1500 cd/m? Brightness
HDR Mode with 10-Stop Dynamic Range
High Bright Mode for Rec. 709 Viewing
UHD 4K up to 60p / 1080p up to 240 fps
10-Bit 4:2:2 ProRes and DNxHR Encoding
Records to 2.5? SSD/HDD Media
Dual Sony L-Series Battery Slots

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The Atomos Shogun Inferno is a 7?, 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high-brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5? SSDs using 10-bit, 4:2:2 Apple ProRes, and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.
The monitor features 10-bit FRC processing and AtomHDR display technology support a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in presets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered.
In addition to HDR monitoring, the monitor also offers a High Bright mode for traditional Rec. 709 monitoring. This mode takes advantage of the full 1500 cd/m? brightness to allow for more confident monitoring in bright outdoor environments, even without a sun hood. In HDR mode, use of an optional snap-on sun hood is required, as displaying a wider brightness range reduces the overall brightness of the monitor.
Built to withstand the rigors of production, the Shogun Inferno features built-in protective armor that features silicone-covered corners and chamfered edges. Compared to the original Shogun, the Inferno now features dual Sony L-series battery plates that support battery hot swapping, enabling longer runtimes. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via an included audio breakout cable. Additional features included genlock/LTC input, SDI/HDMI cross conversion, and a variety of on-screen exposure analysis, framing, and focus assist tools.


1920 x 1200 resolution
10-bit FRC monitoring processing
1500 cd/m? brightness
AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage
Presets for viewing log gamma curves from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras
High Bright mode for Rec. 709 viewing
Supports custom 3D LUTs (.cube format)
Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
UHD 4K?downscale for HD monitoring


4K HDMI and 12G-SDI inputs/outputs
Four 3G-SDI inputs (or single 12G-SDI)
SDI/HDMI cross conversion
Genlock/LTC input
Audio breakout cable for XLR audio input


UHD 4K recording at 24/25/30/50/60 fps in ProRes or DNxHR
1080p recording up to 240 fps
10-bit 4:2:2 ProRes and DNxHR recording to SSD/HDD media
4K raw to ProRes/DNxHR recording over SDI from Sony FS700, Sony FS7, Canon C300 Mark II, and Canon C500
ProRes Raw and ProRes Raw HQ
Record up to 5.7p30, 4Kp60, HDp240
Pre-roll record (HD 8 seconds, 4K 2 seconds)
Custom time-lapse mode
Ten metadata fields

Additional Features

Dual Sony L-series battery slots support hot swapping for continuous power
Built-in armor with silicone-covered corners
Audio level meters and mic level adjustment

Package Weight
3.5 lbs

Package Dimensions
10.0 x 6.6 x 4.0 in

Phantom Power
+48 V phantom power for XLR inputs

Input/Output Resolutions
HDMI: 2160p: 24/25/30/50/60 1080p: 24/25/30/50/60/120/240 1080i: 50/60 720p: 50/60 SDI: 2160p: 24/25/30/50/60 1080p: 24/25/30/50/60/120 1080PsF: 24/25/30 1080i: 50/60 720p: 50/60

Maximum Analog Gain: +52 dB

LUT Support
3D LUT (.cube file format)

Bit Depth
10-bit (8-bit plus FRC)

7.1? / 18 cm IPS capacitive touchscreen

Supported Signal
Input: 10- / 8-bit 4:2:2 (dependent on video source) Output: 10- / 8-bit 4:2:2 (dependent on video source)

Supported Applications
Final Cut Pro X/7+ Avid Media Composer 5.0+ Adobe Premiere 5.5+ Grass Valley EDIUS 6.0+ Sony Vegas Pro 10+ Lightworks Autodesk Smoke 2015

SDI trigger camera selectable

Master Caddy Dock
Interface: 2.5? SATA to USB 2.0/3.0

Power Consumption
10 to 24 W

Auto HDMI trigger Supported Protocols: Canon, Sony, Atomos Open Standard

Video Signal Conversion
HDMI to SDI: 2160p: 24/25/30/50/60 1080p: 24/25/30/50/60/100/120/ 1080i: 50/60 720p: 50/60 SDI to HDMI: 2160p: 24/25/30/50/60 1080p: 24/25/30/50/60/100/120 1080i: 50/60 720p: 50/60

Supported Media
4K 2.5? SSD HD High Frame Rate (50/60/120p): 2.5? SSD 2.5? HDD (7,200 rpm and up) for 1080p 50/60 HD (30p and less): 2.5? SSD 2.5? HDD (5,400 rpm and up) Note: Only use media that has been approved by Atomos

XML Support
FCP X XML native, FCP 7 supported with conversion (Adobe compatible)

1920 x 1200 325 ppi

Supported Battery Types
2 x Sony L-series

1 x HDMI (2.0) 1 x 12G-SDI (BNC) 2 x XLR (included LEMO breakout cable required) 1 x 3.5 mm headphone jack

Video Aspect Ratio
Native: 16:9

Without Batteries & Media: 1.4 lb / 0.65 kg With Batteries & Media: 2.4 lb / 1.09 kg

ABS polycarbonate

1 x HDMI (2.0) 4 x 3G-SDI Quad/Single 12G-SDI (BNC) 1 x Genlock / LTC (BNC) 1 x 2.5 mm LANC 2 x XLR (included LEMO breakout cable required)

8.4 x 5 x 1.8? / 21.4 x 12.7 x 4.5 cm

Dynamic Range
>90 dB

Supported Codecs
Raw to ProRes/DNxHR Apple ProRes: Raw, Raw HQ, HQ, 422, LT AVID DNxHR: HQX. HQ, SQ, LB Frame Rates DCI / UHD 4K: 24/25/30/50/60p PsF: 30/50/60/100/120/200/240 Video to ProRes/DNxHR Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB Frame Rates DCI / UHD 4K: 24/25/30/50/60p PsF: 30/50/60/100/120/200/240

Encoding Formats
DCI Raw 4096 x 2160 from supported cameras (Sony FS700, Sony FS7, Canon C300 MK II, Canon C500): Apple ProRes Raw and ProRes Raw HQ, ProRes HQ, 422, LT DNxHR HQX, HQ, SQ, LB UHD 4K (3840 x 2160): Apple ProRes HQ, 422, LT DNxHR HQX, HQ, SQ, LB 1920 x 1080 Apple ProRes HQ, 422, LT DNxHD 220x, 220, 145, 36

1500 cd/m?

Signal Level
Maximum: +24 dBu

Power Requirements
6.2 to 16.8 VDC (battery or DC power input)

Pulldown Conversion
24/25/30PsF to 24/25/30p (2:2 pulldown) 60i to 24p (3:2 pulldown)

Battery Life
5200 mAh: Up to 1.5 hours (monitor and record 4K) 7800 mAh: Up to 2.2 hours (monitor and record 4K)

Supports slave configuration


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